• Particularly striking... perfectly shaped. ***** The Scotsman on The Maid's Room
• Lynda Radley’s drama about three women who meet in an antenatal class captures the love and fear, the comedy and terror of motherhood in all its contradictory reality. **** The Guardian on The Mother Load
• Remarkably well crafted... a fluid sense of comedy. **** The Reviews Hub on The Mother Load
• Uncompromising and uplifting. **** The Stage on The Mother Load
• Warmly human and cleverly constructed. **** All EdinburghTheatre on The Mother Load
• Fun, energetic, thoughtful and fiercely contemporary... it's a clever piece of theatre wrapped inside a first-rate Christmas show. The Courier on Cinderella
• A perfectly balanced show... hits all the classic fairytale notes. **** The Stage on Cinderella
• This is a stunning show. The Guardian on Futureproof
• Mark Bruce's adaptation of Dracula is an exemplary piece of dance theatre: imaginatively staged and briskly told. Lynda Radley reworks the story with a sure hand and the narrative is brilliantly amplified by the witty and innovative designs. **** The Telegraph on Dracula
• There’s a surreal, dream-like edge to Michelle Ferreira’s 2011 play, in a new English version by Lynda Radley, that takes us deep into the conflicting rhythms of Scottish and Brazilian life... **** The Scotsman on There is Someone Who Hates Us
• (Radley) manages to make a profound statement about the pressures that have faced women historically, before drawing this out into a bigger statement about humanity more generally speaking...that there is great joy to be found in the spontaneous and surreal facets of our living. **** WHATSONSTAGE on The Art of Swimming
• Outstanding... Radley writes with style, humour and a flourish of poetic passion. ***** The Herald on The Art of Swimming
• Haunting, and strangely eloquent **** The Scotsman on The Art of Swimming
• ...the evening draws to a close with an invitation to look skyward, and a touching nod to Wim Wenders. People scatter, and we trail off without our guide and our group, in a city that already looks a little bit different. Gorgeous ***** Irish Theatre Magazine on Berlin Love Tour
• Tracing histories in buildings and emotions in scars, writer Lynda Radley and director Tom Creed distil complex ideas into moving motifs **** The Irish Times on Berlin Love Tour
• ‎This beautiful two hour show made me use my head, use my heart and connected me to my surroundings and my fellow paying punters in a way I haven’t in theatre before... Totally Dublin on Berlin Love Tour
• Takes performance out of the predictable and into uncharted territory... Evening Echo on the Irish Theatre Award Nominated Dark Week
• Funny and fast and playful, and deliciously ironic... The Sunday Times on Soap!
• Inventive, clever and amiably scornful… a flair for comic exaggeration... The Irish Times on Soap!